Various - Ain't that Something! album flac
Track 2 of Jessica Andrews' unreleased album "Ain't That Life" from 2005.
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Текст песни: Ain’t something wrong I’m running these streets, I’m stacking my pay But I’m in a drug zone Relax your mind and let your conscience free.
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Ain't That Good News is the thirteenth and final studio album by American R&B and soul singer-songwriter Sam Cooke, released mid-February 1964, on RCA Victor Records, in both mono and stereo, LPM 2899 and LSP 2899. Recording sessions for the album took place at RCA Victor's Music Center of the World Studio in February and December 1963 and January 1964. The cover photo was taken by American photographer Wallace Seawell.
Listen to Ain't That Something from The Flyin' A's's 'Til They Shut It Down for free, and see the artwork, lyrics and similar artists. Til They Shut It Down.
In some dialects ain't is also used as a contraction of do not, does not, and did not. The development of ain't for the various forms of to be not, to have not, and to do not occurred independently, at different times. The usage of ain't for the forms of to be not was established by the mid-18th century, and for the forms of to have not by the early 19th century.
This Town Ain't Big Enough For The Both Of Us. 2:04. This Town Ain't Big Enough For Both Of Us (With Faith No More). This Town Ain't Big Enough For The Both Of Us. 4:25. Lucky Boys Confusion. This Town Ain't Big Enough For Both of Us. 3:00. 3:14. Sparks Vs. Faith No More. Something For The Girl With Everything (With Faith No More). This Town Ain't Big Enough for the Both of Us (Backing Track) (In the Style of British Whale). 3:10.
Vincent van gogh ain't got shit on me. 3 years ago 3 years ago. kill yourself.
The last of his studio albums released in his lifetime, Sam Cooke's Ain't That Good News offers a lot of superb material, pointing in several directions that, alas, were to go largely unexplored. The central number is, of course, the earth-shattering "A Change Is Gonna Come," with its soaring gospel sound and the most elaborate production of any song in Cooke's output. The rousing though less substantial title track also came out of a gospel tradition, as does Cooke's treatment of "Tennessee Waltz," which is one of his finest adaptations of contemporary.